MAMUSKA TOKYO - Launch

We are delighted to announce the launch of a new Mamuska in Tokyo curated by Naoto Iina (Dance and Media Japan) in collaboration with Davide Terlingo (Mamuska Nights).

[date] march 7 2006 / 20:00 open
[fee] free
[space] P-house
[production] DANCE AND MEDIA JAPAN

Please also see:
www.dance-media.com/mamuska

MAMUSKA LIMERICK - Call for works

FRI 2ND FEBRUARY
FRI 13TH APRIL
FRI 1ST JUNE

DAGHDHA SPACE, ST JOHN’S CHURCH, JOHN’S SQUARE, LIMERICK

Originating with Daghdha Dance Company in 2004, Mamuska continues to inspire both artists and audience with its unique flavour and format built around informality and a true sense of artistic experimentation. Mamuska is an open and accessible platform conceived to challenge established notions of performance and theatrical space.

Mamuska is an unique occasion to present new and evolving works, raw ideas, minimalist perfections, unrehearsed visions, trials and errors, short masterpieces, playful nonsense, conceptual research, first steps... and to dust off those dreams in the drawer. Mamuska is not a talent show, a promotional showcase or a speaker's corner.

To submit your work for an upcoming Mamuska Limerick, please read our submission guidelines.

MAMUSKA LEEDS - Programme 08.12.06

Yorkshire Dance Foyer
Leeds, UK




Davide Terlingo
Appearance – Physical presence

Emily Bond and Ashleigh Lewis
AKA Iced Blonde and Lil’ Rio (Crunked Up Dance Company)
Impact the Funk – Dance

Maria Jardardottir and Elisabeth Nygard
Curious voice duo – Vocal experimentation

Rachel Den and Chiara D’Alcara Ribera
Thread constricts and enables – Performance

Gary Clarke and Paul Wilkinson
We have no idea what this is about. But it is something. And it is here. Before you. Now. – Dance performance

Leonie Kubigstetig
Film – Work in progress

Thom Shaw and Rita Marcalo
A tease with balloons with a cigarette – Performance

Manuela Berndt, Daliah Toure and Elisabeth Nygard
Corpus in Tone

Damien Barber and Tiny
Folk music and clog dancing

Elena Giannotti
BoO: Second Study – Dance

Craig Simcock
Never Mind the Burger here’s Elvis! – Reincarnation

MAMUSKA LEEDS - Launch

The Mamuska Nights network is spreading to Leeds thanks to Yorkshire Dance.

This Friday 8 December at 8:00pm, Mamuska premieres at the St. Peters Building in the up and coming cultural quarter of Leeds City Centre.

As is usual, admittance is free and a cash bar will be operating. The audience is free to move about and chat, with music between each piece and a programme full of surprises.

We will add a full programme and photo after the event.

MAMUSKA LIMERICK - Programme 01.12.06

Daghdha Space, Limerick, Ireland

APPEARENCE – Physical presence (2’)
presence: Davide Terlingo

TI_SPA_CO - Work in progress (7’)
choreography: Veronica Pulga
dance: Elena Giannotti, Janyce Michellod, Veronica Pulga
music: Dhafer Youssef

HIDDEN PASSION - Dance, Poetry (10’)
performers: The love Spotters
choreography | concept: Daniel Vais
music: Noto + Sakamoto
poetry: Geraldine

SOME KIND OF PERSONAL INFORMATION PART 10 – Performance piece (7’)
performers: Mark and Kelly

NO DIRECTION - Video, dance (8'46'')
director: Keisuke Takahashi
choreographer: Mikuni Yanaihara
sound: skank
dancers: Mayu Takagi, Shigeya Yo, Yu Harada, Chika Sagawa, Rena Enatsu,Teita Iwabuchi, Mikuni Yanaihara
production: Nibroll

FROM NOW ON ALL OUR PIECES WILL BE ABOUT THE ENVIRONMENT... OR SEX – Dance (4’)
dance: Nick Bryson, Eleftheria Rapti

MEANING OF LIFE, DEATH AND DANCE. PART 8 – Lecture performance (10’)
text | performance: Katarina Mojzisova
guest appearance: Alissa Kleist
projection: Conor Buckley

LAND – Dance (7’)
dance | choreography: Laura Dannequin
sound: there is a number of small things – MÚM

PURE WHITE – Dance (5’)
choreography: Cristina Goletti


ONGOING INSTALLATIONS / INTERVENTIONS


NO BIG DEAL
concept | choreography: Janyce Michellod
dancer: Janyce Michellod



Credits
Programme curator: Davide Terlingo
Programme coordinator: Cristina Goletti
Choreographed environment: Davide Terlingo
Sound environment: Robin Parmar
Main screen visuals: Conor Buckley
Technical supervision: Dave Guy
Production: Daghdha Dance Company

Article: Daghdha Mamuska

by Mark Keane

I have a confession to make: I don’t "get" contemporary dance. I know in my position it's folly to admit such a cultural faux-pas, but it would be disingenuous of me to blather along here and pretend otherwise. Every time I'm at it – admittedly only a handful of performances - I just wish it was more like that dance David Brent did in "The Office"; which is not what I'm supposed to be thinking. Afterwards, I choose to nod sagaciously, say that it was great, everyone usually agrees, merely adding to my Emperor's New Clothes impression of the artform.

And I'm not unique. Contemporary dance is polarising; a multi-textural, cerebral style of performance that alienates people so much that they prefer to stay clear of it rather than even take a peek. In layman's terms; it's nonsense. Clearly that's unfair -- as a medium, it is just as valid as any reaction against the stylistic rigidity of its predecessors, just like new forms of music, visual art, etc. So what is one to do? Give up? Programming director, Davide Terlingo, instead wants people to just go with it.

"There is a perception of contemporary dance that it is very far out. A lot of people will go to see a film or a piece of theatre or a concert but it's harder for them to say 'let's go see a dance show'", he acknowledges. "This is something that we at Daghdha are re-addressing. We have a very humane approach to dance; it's about the people and a lot of projects are about social enquiry."

This is where the upcoming Mamuska Night comes in. With its informal mix of short performances, club style athmospherics and the odd glass of booze, the irregular night has been a hit since it inception over two and a half years ago. It's an accessible "in" for all us dance novices, but Davide insists that it's more than just reaching out to new blood and it's certainly not dumbing down.

"There are around 10 performances under 10 minutes duration, with a break between each. People can chat and wander around during the shows. The policy is to programme both professional artists and those who are less experienced. The real reason for it is to give local artist a real chance to experiment, away from the pressure of being on the stage. The environment is so informal that people can interact with the artists and it takes it out of the stuffy, black box, performance arena. It's really a place to rethink how they see the show and how artists present their work."

So that's what the audience can expect, but what about the wider significance of the night? As a bridge building exercise with those outside the contemporary dance community, does it yield some new fans? Davide peppers his answer with a few home truths.

"Dance is such a wonderful art form, but a lot of the people who come to Mamuska may not be intersted in seeing dance in another context. I understand this because sometimes I find it hard myself! But Mamuska is a way to redefine how people relate to contemporary art forms. It doesn't always have to be so detached from the people. It is possible to be creative and experimental, but at the same time be very open and accessible."

This particular Mamuska Night was revived as part of the Excursion Performance Festival which takes place in three venues across Limerick from November 30th to December 3rd. The festival mixes visual art, dance, film and other disciplines in what is another reminder of the strength of Limerick's arts and cultural scenes with its healthy retinue of performers and patrons. Daghdha's relatively new and pristine space in John's Square is one of the venues, but Davide feels there could be a few more made available for the vibrant art scene, which is something of a regular gripe among Limerick's artisans.

"We could have a few more around the city", he sighs, "because there are a lots of artists, a real creative dynamic here and a real enthusiasm in the audience. We have had everything from EVA to the UL in the Daghdha Space. It's great to have these collaborations, but we also have to look after our own place with the education programm we have here. A couple more spaces would allow for the potentials in the city to be fully realised."

Beyond the Excursion weekend, Daghdha's own dance based Gravity and Grace Festival takes place from December 13th to 17th and will feature a performance choreographed by Daghdha director Michael Klien. A busy festive programme then, but the immediate focus is on Mamuska. Tell us again, Davide, why the Mamuska Night is a perfect introduction?

"Mamuska is the best place to start and to be inspired. It's free in and you can leave at any moment so what's the worst that can happen? But if you come to Mamuska, you will come back."

Sold.

The Clare People
Tuesday 28 November 2006

MAMUSKA LIMERICK - Programme 06.10.06

Daghdha Space, Limerick, Ireland

APPEARENCE – Physical Presence (2’)
PRESENCE: Davide Terlingo

UNKNOWN – Lost video footage found in disused cinema (2’03”)
ARTIST: unknown

MIRROR, MIRROR / MOON RITUAL – Dance (9’)
PERFORMANCE: The Love Spotters
CONCEPT: Daniel Vais
MUSIC: goem

A,AB,B,BA,A,... – Dance (5’)
CONCEPT: Katarina Mojzisova
DANCE: Elena Giannotti, Katarina Mojzisova
MUSIC: Radiohead

EVIDENCE, GLIMMER, HINT, INDICATION, MEMENTO, PRINT, RELIC, REMAINER, REMAINS, REMNANT, RESIDUE, SHADOW, TOKEN, TRACE, TRACK – Dance (10’)
PERFORMANCE: Daniel Vais & The Love Spotters
CONCEPT | CHOREOGRAPHY: Daniel Vais
MUSIC: Gavin Bryars

HANGING IN THERE – Dance Theatre Performance (10’)
PERFORMANCE: Nick Bryson, Damian Punch
A, TOO B DANCE THEATRE

BoO: FIRST STUDY – Search for a piece (8’10”)
PERFORMANCE: Elena Giannotti

MEANING OF LIFE, DEATH & DANCE. PART 7 – Lecture Performance (6’)
TEXT | PERFORMANCE: Katarina Mojzisova

LIKE FATHER, LIKE SON – Video (5’30”)
CONCEPT | DIRECTION: Celene Natasha Murphy; EDITED by Celene Natasha Murphy, Patrick Keaveney; CAMERA by Celene Natasha Murphy, Darren Maher; SOUND by Nick Bromfield, Niamh Conroy; PERFORMED by Celene Natasha Murphy, Niamh Bowen


ONGOING INSTALLATIONS / INTERVENTIONS


EX LIBRI - Giveaway and performance
PERFORMANCE CONCEPT: Katerina Mojzisova
GENERAL CONCEPT: Seadna
BOOKS BY: Beam at Youse

CAPTURED MOVEMENTS AT DUBLIN FRINGE FESTIVAL 2006
PHOTOGRAPHY: Elenb
ILLUSTRATION: Jeanne Merer, Gaetan Billault
Presented by SU'P


MAMUSKA NIGHTS CREDITS:
Production: Daghdha Dance Company
Programme curator: Davide Terlingo
Choreographed environment: Davide Terlingo
Sound environment: Robin Parmar
Main screen visuals: Conor Buckley

Article: Autumn Steps

One Of The Strongest Arts Group In The Country, Daghdha Build On That Reputation Through The Autumn.

Daghdha Dance Company, based at St. John's Square in the heart of Limerick, has assembled a programme of cultural events this autumn, which includes a broad range of activities to appeal to the wide local community.

According to Davide Terlingo who heads Daghdha's Cultural Programme, "our ambitions is to consolidate a number of diverse and innovative activities and formats, which in turn, we believe, will rise the awareness of both Daghdha and its innovative views on choreography. Activities include a series of events, discursive enquires, social interactions, performances, exhibitions and collaborative initiatives, set against the backdrop of a choreographed environment."

The programme kicks off on the first Friday in October, with the latest in the Mamuska series. Now at its third season, Mamuska has established itself as one of the leading performance platform in Ireland. During the last two years more then one hundred individual artists or organisations have inspired the audiences with a programme of over 140 works spread across different arts fields.

Mamuska remains a unique event, an open platform to experiment with new and evolving artistic work and an occasion for the audience to socialise and be inspired. Every night is different, with a programme full of surprises. However the format remains the same, an informal environment, and drinks at the table, great music during the breaks and the freedom to move around and chat at any time.

Limerick Event Guide
Volume 08. Issue 10. October 2006.

Flyer: Limerick 2006

Now at its third season, Mamuska has established itself as one of the leading performance platforms in Ireland. During the last two years more than 100 artists have inspired us with a programme of over 140 works, spread across every possible artistic field.

Mamuska remains a unique event: an open platform for experimentation with new and evolving artistic work, and an occasion for the audience to socialise and be inspired.

Every night is different; each programme full of surprises. But the format remains the same: an informal environment, drinks at the table, great music during the breaks and the freedom to move around and chat at any time.

Mamuska Nights are not to be missed. Try one and you will be craving more!


Mamuska Limerick is produced by Daghdha Dance Company and supported by the Arts Council, Limerick City Arts Office, Shannon Development and Failte Ireland.

Programme: Friday 2 June 2006

DAGHDHA SPACE
LIMERICK, IRELAND


APPEARENCE – Physical presence (2’)
PRESENCE: Davide Terlingo

VIOLENCE IN DISCOVERY, CALM OF ACCEPTANCE – Dance (10’)
DANCER: Daniel Vais
MUSIC: Terre Thaemlitz

TAPPING ON HIGHER GROUND – Dance (6’)
DANCER: Patrick Fitzgerald

BLACK ROUGE – Violin solo (5’)
VIOLIN: Maya Yoshida

SOUNDAN – Live sound interactive dance performance (10’)
CREDITS: Alex Conway and Katarina Mojzisova

ACCADO DA CAPO – Dance video (8’)
PRODUCTION: Bottega Bologna, Italy
CHOREOGRAPHY: Isabelle Preuilh

WHAT’S UP DOC – Sound piece (10')
CREDITS: Jurgen Simpson

MEANING OF LIFE, DEATH AND DANCE. PART 6 – Lecture performance (7’)
TEXT | PERFORMANCE: Katarina Mojzisova

DAISY CHAIN – Movement and dialogue performance (10’)
CONCEPT | DIRECTION: Celene Natasha Murphy
CHOREOGRAPHED | PERFORMED: Celene Natasha Murphy and Tanya Lowe

KOENIGIN II – Dance (4')
CONCEPT AND PERFORMANCE: Seraina Dejaco
MUSIC: Quarks


ONGOING INSTALLATIONS / INTERVENTIONS


SENSINSEVEN – Documentary theatre
CREDITS: Ciarda Tobin and Helena Enright / Amalgamotion

WHISPERS – Sonic intervention
CREDITS: Robin Parmar, Susannah Kelly and Roisin Kelly-Byrne

MR BUBBLES, MAURA’S TECHNICALLY DREAM COAT – Textile sculptures
ARTIST: Maura Gleeson
In collaboration with the Garvey Centre and Daghdha Mentoring Programme.



MAMUSKA NIGHTS CREDITS:
Production: Daghdha Dance Company
Programme curator: Davide Terlingo
Choreographed environment: Davide Terlingo
Sound environment: Jurgen Simpson
Main screen visuals: Conor Buckley

Article: Towards A Choreography Of Change

by Thom Shaw

A microphone is strapped firmly to a woman's wrist using parcel tape and a wooden splint. The wire eventually finds its socket in a large amp, presided over by a musician with a look of the death metal about him. The equipment produces rock and roll style oscillations of reverb and feedback as the woman negotiates her limited performance space and the somewhat cumbersome appendage, whipping it about her like a playful rat would its tail.

In the churchyard outside, people are clustered about, drinking Guinness from plastic glasses in the balmy evening air as children weave snakelike path through them. A large black dog (Wilson, a Labrador I think, and, so I'm told, something of a local celebrity) trots amongst the sinking tombs whilst back inside the deconsecrated church punters either stand and watch or sit at small tables or on low, woven stools. This is a Mamuska night, a bi-monthly evening of performances, installations and shared works in progress, with a loose, UN stylised cabaret structure and an emphasis on ease for all involved. Mamuska may be just one string to the Daghdha bow but it's one which could be seen to represent much of the company's practical philosophy; it manages, in one fell swoop, to cherish and blur the performative, the social, the multi-disciplinary as well as the need for the public to get involved or not. It does all this with clarity and a level-headedness that is often lacking in events similar.

Daghdha is multi-headed to say the least, combining the educational, the professional and the social, and with projects and initiatives spreading out simultaneously in all directions. On first inspection it all seems rather confusing, but at the company's heart there is a clear sense of purpose and a sturdy conviction in the mission.

It is the deconsecrated church on John's Square in Limerick, which acts as Daghdha's central space and, therefore, a physical realisation of their social dynamic. Members are free to come and go, making use of technical equipment of the library, to negotiate use of rehearsal space or simply to make coffee. The public are encouraged in for performances and sharing and Mamuska night recognises the importance of engagement. Perhaps more importantly the company's activities allow for dis-engagement, they recognise that for the public to make connections and choreograph their own involvement, this is by no means a compulsory requirement or, indeed, a measure of successful outcomes.

Davide Terlingo: In a way it would be easier to define the company through our individual interests rather than through our initiatives. In broad terms, one of the key points is a shift from “dance” to “choreography”; another is a broadening of the definition of choreography to all systematic processes of arrangement and change. Brought together under this common framework, a number of Daghdha associated artists have a good degree of freedom to pursue and share different interests. Frankly the range is very broad, however, we are all united by share goals and a strong desire to directly engage with society.

My contribution comes in the form of a Cultural Programme with a broad independence from main dance production activities, which remain the core occupation of the company. Since full time opening of Daghdha Space in February 2006, I have been developing formats aimed at stimulating both company members and public participation. Daghdha is neither a rigidly structured institution nor a collective of independent artists. For instance, the cultural programme develops according to a long-term business plan that I follow decidedly, however there is a lot of fluid reshaping as facts evolve with time; it seems a contradiction but it works. As I mentioned before, all the activities are organically integrated within one common vision. There is equality in the relevance of our views…

TS: In terms of the malleable Daghdha space, and I'm thinking with reference to Mamuska in particular, how interested are you in non-theatrical theatre setting? Are you drawn to the idea of a grey area between the social space and the theatrical space?

DT: The theatrical space is a social space; I don't see a conceptual distinction between the two when discussed within a sociological context. Differences are based on definitions of use. The Daghdha Space has a set up that allows theatrical uses, however it remains above all a social space. In my daily programming of the space I always think in terms of social dynamics and interactions, I consider individual psychology and perception (who are the users?). My vision is constantly shaped around a specific aesthetic sense, a sense of fluidity and exchange. I organise the shape to reflect this vision, to create a landscape that opens new mental and physical opportunities. I see my work as facilitating an endless flow of events, from making a cup of coffee to presenting a major arts festival. I am not actively trying to blur boundaries; I focus on creating a choreography of relations that encircles both audience and artists. Mamuska Nights shouldn't really make sense and shouldn't really work and yet they do because they are a structured choreographic act. Here, I apply choreography to a social context, preparing the foundations and the grammar for a common form of expression. As you have seen, Mamuska is such an odd mix of people, ages, interests, social backgrounds, art forms and expertise. What gives consistency to the night is the overall invisible structure that repeats itself each time: nobody really knows what is going to happen at Mamuska (including me to a degree) and yet everybody comfortably knows what it is all about.


Extracts from Dance Theatre Journal, volume 22 number 1, 2006.

Programme: Friday 7 April 2006

DAGHDHA SPACE
LIMERICK, IRELAND




WELCOME, MAMUSKA & OTHER THINGS – Physical presence (4’)
PRESENCE: Davide Terlingo

BELLY DANCE GROUP - Folk dance & solo performance ( 7’)
CREDITS: Shannon Veils

TWO AUTOMATA - Performance for voice and computer processing (6’)
ARTISTS: Susannah Kelly with Robin Parmar

BODY TECHNOLOGIES – Performance workshop (10’)
WORKSHOP LEADER: Katerina Mojzisova
PERFORMERS: Ann Geneviève Hanway, Bernardine Carroll, Elva Carri, Caroline Martin, Grit Uhlemann

AT THE SHRINE OF LUCK – Dance (4’30”)
CHOREOGRAPHY: Angie Smalis
DANCE: Mark Carberry, Seraina DeJaco

MOLLY & MONKEY GO TO THE PHOENIX - Photographic story with music (3’)
PHOTOGRAPHS | STORY: Ailbhe Keogan.
MUSIC: Graham Watson.

HORSEMEAT – Dance (10’)
CHOREOGRAPHY | PERFORMANCE: Gary Clarke

TECTONIC PLATE II - Improvisation for guitar and radio (8’)
CREDITS: Tactile Surface (John Galvin and Robin Parmar)

MEANING OF LIFE, DEATH AND DANCE. PART 5 – Lecture, performance (7’)
TEXT | PERFORMANCE: Katarina Mojzisova

ME AND MY - Performance (7’)
CONCEPT: Mark Carberry
PAINTER: Christa Sauer

ONGOING INSTALLATIONS / INTERVENTIONS

MINISTRY OF INFORMATION - Structured imagining
Neville Gawley, Limerick School of Arms

MOLLY AND THE CYCLOPS - Book launch
Ailbhe Keogan, Hags Head Press

DRAWINGS – Slideshow TV monitor
Atelier Goldstein

THE DREAM MAKERS – Choreographic project for Limerick
Davide Terlingo

ECOLOGY PROJECT – Recycled paper booklets
Feel free to take one home


MAMUSKA NIGHTS CREDITS:
Production: Daghdha Dance Company
Programme curator: Davide Terlingo
Programme coordination: Siobhan Ryan
Choreographed environment: Davide Terlingo
Sound environment: Jurgen Simpson, Robin Parmar
Main screen visuals: Conor Buckley, Dragana Jurisic, Atelier Goldstein

SPECIAL THANKS TO SEADNA MATTHEWS FOR HIS GENEROUS SUPPORT.

Programme: Friday 3 February 2006

DAGHDHA SPACE
LIMERICK, IRELAND





APPEARANCE – Physical presence (1’)
APPEARANCE: Davide Terlingo

LITERALY SNOB - Dance (3’)
IDEA: Angie Smalis
PERFORMANCE: Daniel Vais

KARAOKE CLOWN – Dance performance (10’)
CONCEPT: Mark Carberry

SLIGHTLY UNDERMINING THE DEFINITION OF INTERESTING – Dance, juggling (4’)
CONCEPT AND PERFORMANCE: Nick Bryson

APOPTOSIS – Short film (3’)
CONCEPT: Peter Delaney

STILL – Dance performance (10')
CONCEPT AND PERFORMANCE: Niamh Condron

LANDSCAPE PART I (FOR FROM INSIDE) - Dance performance (5’)
CONCEPT AND PERFORMANCE: Daniel Vais
MUSIC: Uoon

PROPOSE - Documentary theatre, interactive live performance (6’)
CONCEPT: Ciarda Tobin & Helena Enright/ amalgamotion

LANDSCAPE PART II (FROM FOR OUTSIDE) - Dance performance (5’)
CONCEPT AND PERFORMANCE: Daniel Vais
MUSIC: Trioon

SHANGRI-LA - Video (6’)
CONCEPT, DIRECTION AND PERFORMANCE: Celene Natasha Murphy.


ONGOING INSTALLATIONS / INTERVENTIONS


THE JUST WONDER COLLECTION, exploring the weird and wonderful, PART 4 - Matchboxes
IDEA, MAKING: Angie Smalis
(Feel free to take one at home)

CLITRATURE- ORGASMIC IRISH WOMEN??? - Interviews
CONCEPT: Sorcha Keogan

UNEDITED LIMERICK - Video installation
VIDEO: Peter Delaney

UP FROM OUR KNEES - Rehearsed reading
CONCEPT: Teaspeach Theatre Company
WRITTEN by Niamh Bowen
DIRECTED by Ciarda Tobin.
PERFORMANCE: Karen Fitzgibbon, Stephanie O'Keeffe, Sinead Wall, Bridin Ryan and Wayne Dignam.

ONE HAND ON THE HALF MOON OF YOUR FACE - Looped installation
CHOREOGRAPHER AND PERFORMER: Anaïs Bouts

TWISTER – Physical installation
CONCEPT: Roisin Kinsella, Conor Buckley
FACILITATED by Roisin Kinsella, Gill Jonker


MAMUSKA NIGHTS CREDITS:
Production: Daghdha Dance Company
Programme curator: Davide Terlingo
Programme coordination: Siobhan Ryan
Choreographed environment: Davide Terlingo
Sound environment: Jurgen Simpson
Main screen visuals: Conor Buckley

Flyer: Mamuska Nights 2005/2006 Season

Daghdha Dance Company is delighted to invite you to Mamuska Nights, a bi-monthly appointment of stimulating performances and exciting characters right in the heart of Limerick.

Mamuska is a unique night of creativity designed to offer individuals the opportunity to experiment, in the presence of a live audience, with new and evolving artistic works. It aims to create an open space for all people to present or view artistic work in a friendly and favourable environment.

All forms of talent are welcome. Mamuska is an informal event giving emphasis on "trying out" rather than "doing", yet aiming to present quality works capable of inspiring the audience – be it dance, video, poetry, installation, performance, etc. All works, excluding installations, should be under 10 minutes long.

To submit your work, please contact Davide Terlingo.

Dust off those dreams in the drawer.